Great Photographers

This page lists several of the photographers we think are worth your time and effort to study.  There are a lot more to be sure, but these are the ones that influence us and shouldn’t be missed.  Each entry is intended to be a portal to resources about that photographer and each follows a similar pattern.  The first hyperlink will take you to the Wikipedia page for that photographer.  Following links will take you to a google images page, the Amazon pages for the named books, and a link to a video or two about the photographer.  Enjoy!

Ansel Adams

Who better to start with than Ansel? His were the first real photographs I saw in person, they were exquisite. I left with an autographed copy of Yosemite and the Range of Light (which met with a very unfortunate accident), still one of the most elegant photography books you will find. His technical series, especially The Negative and The Print, were my bibles for creating large format black and white images decades ago. And Examples: The Making of Forty Photographs is one of the best books to learn about the photographic creative process. Impressive collections of his work can easily be found. I recommend Ansel Adams: 400 Photographs and Ansel Adams at 100. Go to YouTube and enter his name and you’ll come across several fine documentaries about his photography and his life. Criticized by some for becoming too popular and/or being too technical, that does not diminish the true quality of his photographs, his dedication to the art of photography, his gifts as a teacher and his contributions to the National Park System. He was a true American artist and his love for the wildness of the American landscape has inspired countless others.

Edward Weston

Edward Weston was one of the trailblazers of photography, pushing photography to become an art in its own right. He eschewed the painterly photographic style of the day to seek a pure photographic vision. Along with Ansel Adams and others, he helped found Group f/64 to promote the “qualities of clearness and definition of the photographic image.” He was the first photographer to be awarded a Guggenheim Grant, and then won a second. His images made the Big Sur coastline, especially Point Lobos where a beach is named for him, a mecca for photographers. Edward is an icon of straight photography, a tradition I embrace as my heritage. His Daybooks are considered a classic and they document his quest to refine his vision and live a photographic life. Excellent collections of his work are found in Edward Weston: One Hundred Twenty-five Photographs, Edward Weston: fifty years, and Weston’s Westons: California and the West, the last the catalog of an exhibit I had the fortune to see and to study his prints in-person. Here is a US Information Service film about Edward Weston, produced in 1948 just as Parkinson’s disease was beginning to take its toll on this photographic great.

Henri Cartier-Bresson

As one of the first to recognize the potential of the 35-mm camera format for use in a reportage style of photography, Henri Cartier-Bresson became the father of photojournalism and is the icon for street photographers world-wide. Best known for capturing the “decisive moment,” a term inadvertently applied to an English translation of his book, Henri Cartier-Bresson’s images also contain a strength of geometric form and composition equaled by few on film or canvas. He is one of the few photographers I can return to again and again, always to find something new. A co-founder of Magnum Photos agency, Henri Cartier-Bresson bore witness to many of the 20th Century’s great events, and possessed an unparalleled ability to reveal personalities as well as cultures through photography. I can recommend Henri Cartier Bresson: Photographer, but to be honest, I have not found a book about this great that is not worth studying. While some photographers require an exquisitely printed book to truly appreciate their work, Cartier-Bresson’s images have impact even when poorly printed; quality printing only enriches the experience further. This video is well worth watching as is this Charlie Rose interview. Many rightly consider him the greatest photographer of all time; others have referred to him as one of the 5 greatest artists of the 20th Century.

Brett Weston

Much like Alberto Giacometti with painting and sculpture, I have a personal affinity for Brett Weston’s photographs.  Much more graphic than Edward’s work, Brett’s images reflect a purity of vision and a dedication to a simple photographic life reminiscent of his father’s.  Known for his love of abstract images and the use of dark, negative spaces in his photographs, Brett’s images are truly his.  I fell in love with Brett’s work on the same trip to Carmel where I first saw Ansel’s photographs.  Along with Ansel’s Yosemite and the Range of Light, the other book I walked out of the gallery with that day was Voyage of the Eye.  Other books worth reading are Brett Weston: Photographs from Five DecadesBrett Weston: Master Photographer and Brett Weston at One Hundred.  While there are several short videos about Brett’s images, this three video collection (#1, #2#3) of Randy Efros, John Sexton and Kim Weston (Brett’s nephew) reminiscing about Brett, his dedication, his work and his quirks, is not only informative it’s quite entertaining.

John Sexton

John Sexton is a contemporary master of large-format, black and white photography that continues to work exclusively with film. After serving as Ansel Adam’s assistant for several years, John has continued the craft of fine art photography with his quiet, beautifully composed images. He often photographs at the fringes of the day, after the sun has set or before it rises, to take advantage of the unique quality of light that is present during those periods. I highly recommend (because I own) Listen to the Trees and Quiet Light. While less dramatic than his mentor’s work, John’s photographs are no less moving and beautiful. Among the many short videos about John Sexton is this one by Kodak.

Sebastiao Salgado

Brazilian economist turned photographer, Sebastiao Salgado uses the camera to document the human condition and, more recently, our impact on the Earth. Working exclusively in black and white and still using film cameras, his images possess a beauty that is often juxtaposed by the tragic seriousness of the subject matter. Some aid organizations have been critical of that beauty, arguing that it diminishes the impact of their pleas for assistance. I find such criticism a bit harsh for a man who has suffered a breakdown after years of forcing himself to document the worst conditions man has to offer in order to bear witness with the camera and to inform the world. Sebastiao Salgado: An Uncertain Grace is the easiest of his books to study. More difficult are Sahel: The End of the Road, Workers: An Archaeology of the Industrial Age, and Migrations. He steps back from the psychological precipice in his latest work Genesis, which examines nature and the environment. He gives a great TED talk that is worth watching, and this is one of several wonderful video conversations with Sebastiao.

W. Eugene Smith

Master of the photo-essay, W. Eugene Smith was one of Life Magazine’s premier photographers during its heyday. His images were the basis of “County Doctor,” “Spanish Village,” and “Nurse Midwife” among other stories. Uncompromising in the making of his photographs, his darkroom work and the editing and displaying of his photographs, he often parted ways with employers over photographic principles. Dedicated in his belief that photographs can affect change in the world, he twice paid a severe physical price for his work. During WWII, Gene was hit by mortar fire photographing the battle of Okinawa. In 1972, while working on his story about heavy metal poisoning in Minimata, Japan, he was severely beaten by corporate employees, permanently losing partial sight in one eye. A lover of jazz, he documented the after-hours New York jazz scene, and jazz music could be heard coming from his darkroom during the hours he spent there. W. Eugene Smith Photographs 1934-1975, Let Truth Be the Prejudice, and W Eugene Smith Master of the Photographic Essay are all worth reading, as I suspect are several more recent compilations of his work. This American Masters Series Video - W Eugene Smith - Photography Made Difficult is well worth watching.

Don McCullin

“Looking at what others cannot bear to see is what my life has been about.” Don McCullin hates the term war photographer, so I’ll say he has for too many years been a photographer of war. To those who wish to idealize things, Don is the stuff of legend – stopping in the middle of gunfire to take a light meter reading; photographing injured soldiers in the back of a 5-ton truck during the Vietnam war, him there because his own leg was shredded by shrapnel; the Nikon F camera body he still has, the one that stopped the sniper’s bullet from passing through his head because the camera was up to his eye. The reality, like his images, has left him haunted. Bearing witness to man’s cruelty to man so that we may know. I feel an obligation to look at his images. I study his work because I do not want to live in ignorance. His book titles often hint at the content within: Is Anyone Taking Any Notice?, Hearts of Darkness, Sleeping with Ghosts: A Life’s Work in Photography, Don McCullin: The Impossible Peace. One need only watch any number of videos, such as this conversation, to realize this is not a person who glorifies war or is one who does not feel the suffering of those he photographs. He knows that there is nothing he can do to change that situation right then and there, so he photographed hoping to eventually bring what change he can. Don McCullin has finally walked away from war, turning to landscape photography, even though he admits his landscape photographs remain dark and haunting. As he put it, “I am tired of guilt, tired of saying to myself: ‘I didn’t kill that man on that photograph, I didn’t starve that Child.’ That’s why I want to photograph landscapes and flowers. I am sentencing myself to peace.” He deserves it.

Steve McCurry

Everyone knows the photograph; it’s the eyes. Too few know that it was Steve McCurry that made it. An editorial photographer best known for his work for National Geographic, he has photographed it all. From wars to natural disasters, from societies in transition to modern life and landscapes, his images have a way of reminding us that we are all part of the same world. For those who love portraits in context, Steve McCurry’s are among the best and you should check out his book Portraits. Other incredible books include Steve McCurry: The Unguarded Moment, Untold: The Stories Behind the Photographs, and Steve McCurry: The Iconic Photographs. Kodak selected Steve to photograph the last ever roll of Kodachrome film it produced. A video documenting his attempt to do justice to the film he shot with for over 30 years can be seen here. Steve McCurry's website does a fantastic job of combining thoughtful quotes in his blog postings with incredible images in his galleries. A video of his work, produced by Magnum Photos of which he is a member, can be seen here.